My work
is based on a permanent construction and deconstruction of forms and aesthetics
understood in a traditional way. Interested in the contrasts and dualities I fuse
them looking for the fragility of an ugly beautifulness or a beautiful
ugliness. As a base of the movement research for my pieces I use vocabulary of
a classical and contemporary dance, nevertheless always distorted. The
“authentic movement” improvisation is another source of material for my
choreographies.
This
being my aesthetical interest, I work in the same time, on phenomena related to
a contemporary individual: lack of roots due to migration, freedom,
temporariness, instability, the sensation of the “fragmentation” and an
aspiration of synchronicity. That is also why I dedicate a part of my
reflection and research to explore the possible empathy between the public and
the performer. I’m especially interested in activating the spectator’s senses
and encourage them to take decisions about the level of participation in the
creation and reception of the performance.
Finding
myself in-between the movement and the concept, I relate to the work of such
choreographers as Sasha Waltz and Xavier le Roy. Starting from a concept,
problem, observation of reality, I pass to the deconstruction of it and then to
the movement research, in order to generate the material. Afterwards I compose
the piece relating the movement, often abstract, to the context looking for the
integrity of the concept and its representation.
